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family portrait!

Flynn 2 painting by Sydney design & fashion label Non-Fiction, on exhibition at Bob Boutique, Bendigo.

Flynn 2 by me! (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $245)

I've been dying to share these with you! They are photos of my own artworks, currently on show as part of our Non-Fiction "Family Portrait" exhibition at Bob Boutique, Bendigo, Victoria.

Many of you probably know that Martin & I have our own design label,Non-Fiction, through which we make screen printed tees & greeting cards featuring our cute & quirky illustrations. When we met Sonia from Bob Boutique, she loved our "Family Portrait" card designs, and invited us to exhibit prints of the 12 colourful animal characters in her gallery space (adjacent to the boutique). The prints were made using archival inks and Hahnemühle's Bamboo fine art paper, then mounted onto black matt board with cute paper photo corners. Measuring 30x40cm, they fit straight into a standard sized frame.

To accompany the prints, I painted a series of 9 portraits of my little guys, and have pictured a few of them here. (Please send me an email if you'd like to see more!) The exhibition opened at Bob Boutique in February and will be finishing on Friday (10.4.2009).

Toby 2 painting by Sydney design & fashion label Non-Fiction, on exhibition at Bob Boutique, Bendigo.

Toby 2 by me! (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $245)

We had the frames laser cut from aircraft ply (which has a fine grain finish & is gorgeous to paint onto), then mounted onto black perspex. Then I held my breath while I painted! There's no going back when working on a raw wooden surface... The final pieces are a mix of gouache and charcoal - I love the white highlights against the wood.

I would love to hear your comments!! Can you guess what (mixed) breeds Flynn & Toby are? Leave a comment & there will be a set of 12 Family Portrait greeting cards waiting the person whose answer is closest.

Henry the rabbit and Arthur the zebra finch archival prints by Sydney design & fashion label Non-Fiction, on exhibition at Bob Boutique, Bendigo.

Henry the rabbit and Arthur the zebra finch archival prints by us... (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $44.95 each)

Since I'm chatting about myself, I also thought I'd share a little interview I did recently for Peppermint Magazine. It appears in the BLOGROLE section on p88 of the brand new issue. (I received my copy today, so you will be hearing more about it very soon!)

Why did you decide to start your blog?
Like most of my projects, I jumped in without giving it too much thought (at the end of 2006). I had discovered so many beautiful American design blogs and I wanted to be a part of what seemed like such a vibrant community. At the time there were only a few Australian design blogs and I wanted a place to feature all the things that I loved. After indie art & design became popular, we started thinking much harder about ways in which to promote Australian labels.
What do you blog about?
Art, design & craft by independent Australian designers/labels. We place an emphasis on contemporary, quirky design, and our posts on illustration are some of the most popular.

Toby archival print by Sydney design & fashion label Non-Fiction, on exhibition at Bob Boutique, Bendigo.

Toby archival print by us... (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $44.95)

How often do you update it?
I'd like to say 3 or 4 times a week, but at the moment it would usually be once or twice a week. I like to spend lots of time poring over a designer's work / web site / blog before writing the post and then include a range of images & details.
Do your searches or entries have criteria?
indie art & design is essentially a shopping blog - we feature art, design & craft products which are available to purchase, and we include pricing whenever possible. Everything we feature is designed by Australians. Our content also includes art exhibition launches, retailers who stock indie labels and design-related events such as trade fairs & designer markets.

Flynn 3 painting by Sydney design & fashion label Non-Fiction, on exhibition at Bob Boutique, Bendigo.

Flynn 3 by me! (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $245)

Have you found there is a strong blogging community?
Definitely - I've had the opportunity to meet so many talented people through indie, and it's great to meet fellow designers as you tend to have so much in common. It's nice to know lots of people are quietly following along too. (I'm pretty shy about commenting when I'm not wearing my 'indie hat'...)
Latest fave find?
I've been enjoying watching the ink & spindle story unfold (www.inkandspindle.blogspot.com). Have you seen their workspace? I'm so jealous!
What's next?
We have so many plans for new features in the works... Can't wait to see them online - soon I hope!

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Tuesday, April 07, 2009.

little uns

Forest Fungi by Queensland-based ceramicist Shannon Garson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Forest Fungi by Shannon Garson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

An exhibition of gorgeous small ceramic works will be opening tomorrow (Friday 3rd April, 2009) at Pomme on the Mornington Peninsula. Appropriately titled "Little Uns", the show will feature the work of three ceramic artists from Queensland - Shannon Garson, Mel Robson and Kenji Uranishi.

The brief for this group show was 'keep it small' and the artists were only too happy to oblige with a series of exquisite, but perfectly functional cups, jugs and vessels. (By the way, sorry for the lengthy post but it's really 4 posts in 1!)

Nests by Queensland-based ceramicist Shannon Garson - from the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Nests by Shannon Garson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Shannon Garson is a contemporary ceramicist who has been exhibiting her porcelain works since 1990. Her aim is to explore ceramics and life through the synthesis of surface decoration and form. By transforming everyday objects such as cups and bowls into works of art, she strives to connect the visible world, gardens and plants with the intangible and the mysterious.

Shannon was awarded a Churchill Fellowship in 2005 and spent 3 months travelling in Europe studying the art of the medieval and Renaissance periods. She has just completed a major new body of work based on the magnolia tree with the assistance of an Australia Council New Works Grant.

Pale Yellow Magnolia photograph by Queensland-based ceramicist Shannon Garson.

"Pale Yellow Magnolia" photograph by Shannon Garson

Above is one of the gorgeous reference photos taken by Shannon in the magnolia orchard. (You can view more on Shannon's Flickr page.) Unlike previous work, she describes "these flowers were not about the body at all. They are about the triumph of hope, about creativity, the resonance for me lies in the knobbly, gnarled magnolia branches putting forth fragile, fragrant blossoms, the deception of appearances. The unstoppable, reassuring rhythm of reproduction is a powerful metaphor for the well-spring of creativity. Sleep-deprived, time deprived, worn out, the driest twig still produces a blossom in Spring."

Magnolia pieces in kiln by Queensland-based ceramicist Shannon Garson.

Magnolia pieces in the kiln by Shannon Garson

This is one of my favourite photos ever to appear on indie art & design! The quiet candle light gives us a glimpse through the artist's eye - a sense of anticipation, satisfaction & nervousness... that breath-catching "almost finished" feeling.

Magnolia Spring Family by Queensland-based ceramicist Shannon Garson.

Magnolia Spring Family by Shannon Garson

Shannon Garson works from her studio in Maleny, a small rural town in the hinterland of the Sunshine Coast. Her ceramic pieces can be found online at https://shannongarson.com/ and also on her blog Strange Fragments. She is also part of the Umbrella Collective of 6 female artists from Queensland.

Shannon's ceramics are also stocked in the following galleries:
QLD: Cairns Regional Gallery, Manly Gallery, Marks and Gardner (Tambourine), Maleny Artworks, BrisbaneFusions Gallery (Fortitude Valley)
NSW: Planet Commonwealth (Surry Hills), Salmon Galleries (Sydney), Sturt Contemporary Craft (Mittagong)
VIC: Craft Victoria (Melbourne), Crowded House Designs (Malvern), Pomme (Mornington)
ACT: Beaver Galleries (Canberra)

AND she has her own book, "Shannon Garson Porcelain"! Available here.

Little Uns by Brisbane-based ceramicist Mel Robson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Little Uns (polka dot), 2007, slipcast porcelain with inlay, 5cm x 7cm each by Mel Robson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Mel Robson's work is contemporary and diverse. I've been following her blog for a couple of years now and during this time, she has created a wide range of vessels and objects using a variety of techniques - including new processes such as waterjet cutting (as seen in Home-ing Pigeon, pictured further down this post). Her latest creations have an organic feel - using muted earth colours and soft uneven shapes.

Little Uns by Brisbane-based ceramicist Mel Robson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Little Uns (polka dot & natural), 2007, slipcast porcelain with inlay, 5cm x 7cm each by Mel Robson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

I love the contrast of the small polka dots pattern with the otherwise smooth matt finish. It gives the sets a sense of energy & movement.

Recipe Bowl by Brisbane-based ceramicist Mel Robson.

Recipe Bowl, 2007, slipcast porcelain with decals by Mel Robson.

The Recipe Bowl (pictured above) is part of Mel's "Precious Little" collection. (Selected pieces were exhibited in the 4th World Ceramic Biennale in South Korea, 2007.) These works are feather weight, paper fine and entirely sculptural. Mel has upturned the concept of surface decoration by allowing decals applied to the interior of her vessels to show through the translucent ceramic. The effect is both stunning & engaging. After the original forms are thrown on the wheel, a plaster mould is made, from which the actual pieces are slipcast in porcelain. The pieces are fired, sanded & polished, then fired again before the imagery is applied using ceramic details and they enter the kiln for one last time. Pieces that survive this lengthy process end up quite strong!

Absence of Objects by Brisbane-based ceramicist Mel Robson.

The Absence of Objects (detail), 2006, slipcast porcelain with decals, 6cm x 14cmby Mel Robson.

I love the works pictured above, part of Mel's "Absence of Objects" collection. She describes finding inspiration in libraries' heritage collections - wearing white gloves while poring over old manuscripts and diaries and photographs and records and documents. "So often when we talk or think or make things about the past it is about remembering - what we remember, and the ways we remember. But what I find more fascinating is the forgetting, the process by which things get forgotten and how, in the absence of objects, whole lives and stories can just disappear. These collections fascinate me because they are little doorways into the past, little repositories of near-forgotten things, without which countless stories would have completely disappeared."

Home-ing Pigeon by Brisbane-based ceramicist Mel Robson.

Home-ing Pigeon, 2008, found ceramic plates (water jet cut) 10 x 13cm by Mel Robson.

Mel Robson's Home-ing Pigeons (one pictured above) have been cut by waterjet from either side of found vintage plates & saucers. Exhibited at Redland Art Gallery as part of the "Bird Watching" group show, the pigeons symbolise a war-time transformation from apparently mundane to extraordinary. She was inspired by stories of their survival against incredible odds to deliver life-saving messages. "Robson's ceramic works take old domestic objects of that time, imbued with the traces of their day-to-day existence, and recasts them in the shapes of these birds." (Redland Art Gallery)

You can discover more of Mel Robson's work via her blog, Feffakookan.

Tiny Vessels by Brisbane-based ceramicist Kenji Uranishi - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Tiny vessels by Kenji Uranishi - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Kenji Uranishi was born in Japan and studied ceramics at the Nara College of Fine Arts before moving to Brisbane in 2004. Living in Australia "provides an environment for more objective study of my own country and culture, as well as an element of freedom from historical and cultural constraints... I'm also interested in how these experiences will encourage some self-discovery and provide me with a new perspective on my relationship with Japanese culture."

Tiny Vessels by Brisbane-based ceramicist Kenji Uranishi - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Tiny vessels by Kenji Uranishi - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Kenji draws inspiration from the surrounding built and social environment. He is interested in and influenced by architecture and nature, and how people interact with both. His works include installation and functional objects, and the materials he uses are embedded in the history of Japanese pottery.

Ceramic works by Brisbane-based ceramicist Kenji Uranishi made during his artist residency at ANU.

Ceramic works by Kenji Uranishi made during his artist residency at ANU.

Selected new sculptural works by Kenji Uranishi will be exhibited later this year as part of the Australian Ceramics Triennale 09. "Encircle" open on 8.7.2009 at the Helen Stephens Gallery, All Hand Made in Bronte (Sydney).

Ceramic works by Brisbane-based ceramicist Kenji Uranishi made during his artist residency at ANU.

Ceramic works by Kenji Uranishi made during his artist residency at ANU.

I love the delicate surface drawings on Kenji's pieces for "Little Uns", don't you? The sculptural works are something I wouldn't have expected in ceramics - beautiful & amazing. You can discover more about Kenji's work at his blog, http://kamenendo.blogspot.com

Little People at the beach by Sandwich Mountain, a collaboration between Brisbane-based ceramicists Mel Robson and Kenji Uranishi.

The Little People at the beach by Sandwich Mountain, a collaboration between Brisbane-based ceramicists Mel Robson and Kenji Uranishi.

Mel Robson and Kenji Uranishi have also collaborated to create Sandwich Mountain - the adventures of the Little People!

The Little People in the surf by Sandwich Mountain, a collaboration between Brisbane-based ceramicists Mel Robson and Kenji Uranishi.

The Little People in the surf by Sandwich Mountain, a collaboration between Brisbane-based ceramicists Mel Robson and Kenji Uranishi.

Kenji loves hand building and first made the Little People to experiment with slip casting. When they emerged from the kiln, Mel was overcome by an incredible urge to "change the colour of THEIR day"... (Remember the 80s TV jingle for the honeycomb chocolate bar?!) Since then, the Little People have been on lots of adventures, as documented at http://sandwichmountain.blogspot.com. They've even been featured in a Brazilian magazine called GLOSS. The Little People have absolutely no idea what it says about them, and they're thinking they may have to travel to Brazil to find out...

The Little People on the moon by Sandwich Mountain, a collaboration between Brisbane-based ceramicists Mel Robson and Kenji Uranishi.

The Little People go to the moon by Sandwich Mountain, a collaboration between Brisbane-based ceramicists Mel Robson and Kenji Uranishi.

Little Uns opens tomorrow, on Friday 3rd April, and continues until 24th April 2009. Pomme is located on the Mornington Peninsula at:
Rear 138 Main Street
Mornington, Victoria. 3931.
phone: 03 59 76 3000

Pomme is open Monday to Saturday but advise you to call to check opening hours, as they might be at the beach!

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Thursday, April 02, 2009.

creative women's circle on again!

Creative Women's Circle invitation for April 2009

Good news! After taking a break recently, Melbourne's Creative Women's Circle will be riding again! The group was originally formed by Dearne Herrenberg - designer of the gorgeous Mainichi jewellery range. (We interviewed Dearne back in November. If you missed it, make sure to take a look - the pics are stunning!) Tess McCabe has recently taken over the reins, and has organised the Creative Women's Circle to meet this Saturday, 4.4.2009 at the Guildford Lane Gallery from 10am - 12pm.

metremade pattern designs by Tess McCabe and Liz Roger

metremade pattern designs by Tess McCabe and Liz Roger

Tess is a graphic designer from Melbourne, and also one half of metremade pattern designs (which we also posted about way back in August 2007). Tess collaborates with textile designer Liz Roger to experiment with patterns and design without client briefs - sounds good, doesn't it?!

metremade pattern designs by Tess McCabe and Liz Roger

Lucy Feagins featured in Real Living's '5 secrets' page, March 2009 - Photo by Tim James

Speaking at the Creative Women's Circle will be fellow Australian blogger Lucy Feagins from TheDesignFiles. By day, Lucy is a props buyer and set dresser in the film industry, and TheDesignFiles is her outlet for all things creative from Melbourne and beyond. I really enjoy following Lucy's blog - she's done some fantastic interviews... a couple of my recent favourites have been with Elke Kramer and Beci Orpin. In addition to giving an insight about her work, Lucy will speak about how creating and maintaining a blog has helped her professional and inspired her creativity, and will answer questions about how creative people can better promote themselves and raise their profiles as artists online.

Guildford Lane Gallery

I know how popular the Creative Women's Circle has been in the past, so if you're interested, RSVP to Tess (email in image at top) and meet the group at:
Guildford Lane Gallery
20 Guildford Lane, Melbourne CBD.
Saturday 4th April 2009, 10am - 12pm.

Directions: Guildford Lane is off Queen St, between LaTrobe and Little Lonsdale streets. A short walk from Melbourne Central Station or Elizabeth St/Latrobe St trams. Parking lot nearby.

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Tuesday, March 31, 2009.

feature interview: umbrella prints

Buttons & fabric by Umbrella Prints

We're thrilled to tell you that the second issue of Peppermint Magazine is now available!! (Lots of pics coming soon...) On p82 is "breaking the pattern" - our indie art & design interview with Umbrella Prints. This design duo are from South Australia and they create vibrant hand screen printed patterns on organic fabrics. They've also collaborated with a number of other designers to produce jewellery, quilts & more... The full interview with designers Amy Prior & Carly Schwerdt is below - hope you enjoy it!

I 1. How did you find each other & then form the Umbrella Prints partnership?

UP We both have young daughters, drive old holdens, studied art and design, love colour and pattern - it was inevitable really! No seriously, we were both running businesses next door to each other and became great friends.

Umbrella Prints studio

I 2. What are your favourite making processes or Umbrella Prints designs/products?

UP All Umbrella Prints designs come from first sketching and our love of art, we take from our own artwork and design from there. For example a beautiful garden scape by Amy will have a little flower hidden amongst the folliage and we will play with that. It is a process of discovery through our own art. We invest a lot of time into this design process, what we do is unusual and very deliberate, we concentrate on really exploring the potential within each design instead of churning out product.

Elephant Brooch by Umbrella Prints

I 3. Do you have individual specialities, or are you both involved in every step?

UP We appreciate each other's own individual style so much so that we don't need to box ourselves into roles. We are very lucky to work so well together, it sounds corny but we are like Ying and Yang.

Fabric by Umbrella Prints

I 4. How does your approach enable your label to be environmentally friendly?

UP At all levels of running Umbrella Prints we are always striving to find better ways of doing things, from the postconsumer waste paper we print our stationary on, to the durable 100% organic hemp/cotton base cloth we print on. Making a product that lasts is important and using every last scrap means less waste.

Quilts by Umbrella Prints

I 5. Tell us about your Tandem collaborations!

UP An umbrella is a symbol for bringing people together and we use the word 'Tandem' because it describes two entities propelling each other forward. So far we have collaborated with crafter Brooke of Boobook, quilter Jenny from Ciuccio, San Francisco & silversmith Ceeb Wassermann. We look forward to working with many other artists, designers and crafters.

Parade silver elephant jewellery by Umbrella Prints

I 6. You're both mums and Carly – you also run Nest Studio art classes for children. Do you find inspiration in the works created by such little hands?

UP Children are by far the most creative people. They are intuitive and they work free of judgment, something we can all only hope to achieve.

Products by Umbrella Prints

I 7. Where else do you both find inspiration?

UP Inspiration is everywhere.

Fabric rolls by Umbrella Prints

I 8. You've had the opportunity to contribute to a number of craft books – have you had a great response?

UP The books, Meet Me at Mikes and Quilts Baby! which showcase our fabric by way of Carly's crafty sewing patterns, are available in March. They already look fantastic based on the covers alone so one can only imagine they will be a success.

Silver pendant by Umbrella Prints

I 9. Have you exhibited your work, either individually or as Umbrella Prints?

UP Yes, we have both exhibited as artists, Amy with her most recent show 'Papercuts'. Umbrella Prints has exhibited for 'Modern Australian Textiles' alongside Publisher Textiles, Nicola Cerini and many other Australian Designers.

Hand screen printed fabric by Umbrella Prints

I 10. You obviously enjoy working as partners. Is it difficult to keep the balance right or does everything just fall into place?

UP If we fight it's because 'my ego's bigger than yours!'

Buttons by Umbrella Prints

I 11. Do you keep in touch with fellow creative types via your blogs (Rain & Shine - http://umbrellabella.blogspot.com & Moopy & Me - http://www.neststudio.typepad.com)? What are some of your favourite blogland reads?

UP We have both met some amazing people via our blogs. We love so many but here is just a taste : Julie of Four Leaves, Amanda of SouleMama, Claire of Loobylu, Hillary of Weewonderfuls and Pip of Meet Me at Mikes. Check our blog rolls for more!

Wall brooch & fabrics by Umbrella Prints

I 12. Where is Umbrella Prints next headed?

UP Umbrella Prints is very fluid and we like to let our insprirations lead, that being said the essence of Umbrella Prints is always about beautiful pattern. For now though, our next print run is well and truely underway, new colours, new pattern and we have also been creating many lovely wooden objects, such as wall brooches and mobiles.

Thank you so much Amy & Carly for this insight into your design practice! We'll be looking forward to seeing much more from Umbrella Prints!

You'll find Amy & Carly online at:
Umbrella Prints
Amy's blog Rain & Shine
Carly's blog Moopy & Me
Nest Studio - art classes for children
Umbrella Prints' Etsy shop
Umbrella Prints' Big Cartel shop
and their fabrics & products can be found at the following stockists:
SA: Ikeguchi Creative Life (Adelaide), Little Bird at Elliot (Port Elliot)
ONLINE: Mid Century Modern
INTERNATIONAL: Rose and Radish - San Francisco

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Monday, March 30, 2009.

abundant at object

Ontario Apartments, Chicago by Frank Minnaërt from the Abundant exhibition at Object

Ontario Apartments, Chicago by Frank Minnaërt
Photo: Sally Cohen. Model: University of Technology, Sydney.

Abundant is an exhibition of Australian architectural models shown at the 11th International Architecture Exhibition in Venice, Italy, 2008, which is currently on display at Object (in Surry Hills, Sydney).

100 models are showcased in a reinstallation of the original garden of architectural 'sculpture' that was organised by the Australian Institute of Architects and developed by a creative team including Neil Durback, Vince Frost, Wendy Lewin, Kerstin Thompson and Gary Warner.

Pitched Roof House by Chenchow Little Architects from the Abundant exhibition at Object

Pitched Roof House by Chenchow Little Architects
Photo: Phillip Hayson. Model: Chenchow Little.

The exhibition highlights the breadth and creativity of Australia's architectural practice. Architects were asked to create interpretive models based on the theme: 'Out there: architecture beyond building'. The small scale of the models gives us a completely different way of viewing architecture. We can see more of the structure & form from a single viewpoint, and the detail in each model looks incredible.

Cubby Conglomerate by Super Colossal from the Abundant exhibition at Object

Cubby Conglomerate by Super Colossal
Photo: Super Colossal.

From these images, I'm particularly drawn to Cubby Conglomorate by Super Colossal - (above, those shapes demand attention!), and New Holland Folly by Studio505 - (below, I love the unusual shape and intricate detail).

Cubby Conglomorate is actually a plywood version of a cardboard cubbby house, "re-imagined as an apartment building" (Super Colossal). The original version was designed as a 'Sustainable Room' for the tradeshow 'Design and Decoration Sydney', then reused the following weekend for a family member's 3rd birthday - where it remained a play thing until heavy rain turned it back into pulp and it was recycled.

New Holland Folly by Studio505 from the Abundant exhibition at Object

New Holland Folly by Studio505
Photo/Model: Studio505.

New Holland Folly is a present to the port city of Rotterdam from designers in Australia. It is actually a glasshouse containing Australian seedlings to be used in the development project to follow on the Heijploot site. "The folly draws upon the Port's past connection with the exploration of the new world and is the beginning of the future of the site. Its built language is inspired by Australian historical corrugated iron constructions, Victorian era cast iron lacework, and native Australian flora. These elements are then translated into contemporary ideas of form, material and process. It is a metaphorical seed, rich in the design DNA of our shared history, ready to catalyze the growth of the new world where it is planted." (Studio505)

I'm looking forward to visiting Object this weekend to see the exhibition in full and learn more about the designs pictured here...

Redfern Housing Prototype by Enter Architecture from the Abundant exhibition at Object

Redfern Housing Prototype by Enter Architecture
Photo: Byron Keane. Model: Tom Spalding, Envizage Australia.

Abundant is showing at at Object until 5.4.2009. (St Margarets 417 Bourke Street, Surry Hills NSW 2010. T. 02 9361 4511)

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Wednesday, March 25, 2009.